Lawrence Lek - Conversation #7 - Anthology #3 - February 18
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Lawrence Lek, Sinofuturism (1839-2046 AD) [still], 2016, HD video, stereo sound, 60′. Image credit © Lawrence Lek, courtesy Sadie Coles HQ, London. So I began to develop an artificial intelligence that would be an appropriate avatar for this concept. Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the… Sinofuturism (1839 - 2046 AD) (2016) directed by Lawrence Lek • Reviews, film + cast • Letterboxd These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously expanding cinematic universe.
Using computer-generated imagery, Lek develops digital environments he describes as 'three-dimensional collages of found objects and situations drawn from observed reality'. Där väldigt mycket intresse riktades mot konstnären Lawrence Lek och hans senaste filmverk AIDOL, vars visning föregicks av ett välbesökt samtal. För två år sedan visades Lawrence Leks videoessä Sinofuturism (1839 – 2046 AD) på CTM-utställningen och jag måste erkänna att jag blev golvad. Lawrence Lek is a multimedia artist, filmmaker, and musician based in London. In this conversation, Lek talks to Alvin Li about posthuman agency, the future art history of sinofuturism, the politics of language, and constructing worldviews through his sprawling virtual world. Alvin Li: The virtual worlds you create are not only site-specific; they also often take a future time node significant to that particular site as point of departure. Lawrence Lek His works include the CGI film ‘AIDOL’ (2019), the open-world video game ‘2065’ (2018), the AI-coming-of-age story ‘Geomancer’ (2017), the video essay ‘Sinofuturism (1839-2046 AD)’ (2016), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (2015).
It is a movement, not based on individuals 2017-4-17 · Lawrence Lek, who works primarily as a visual artist, has also applied his concept of Sinofuturism to music. One of his recent works is The Nøtel, which sets Hyperdub label founder Kode9’s 2015 album Nothing in a 3D-rendered hotel in a future version of China.
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“Sinofuturism (1839–2046 AD).” https://zkm.de/en, 2016. Liu, Jia. Have a Nice Day. Produced by Nezha Bros.
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Lawrence Lek His works include the CGI film ‘AIDOL’ (2019), the open-world video game ‘2065’ (2018), the AI-coming-of-age story ‘Geomancer’ (2017), the video essay ‘Sinofuturism (1839-2046 AD)’ (2016), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (2015). Lek goes far with these created worlds, weaving narratives through real and imaginary histories. Through Lek’s presentation, we got to know the stories behind the films included in the Sinofuturist Trilogy: Sinofuturism (2016), Geomancer (2017), and Aidol (2019), all of which attendees were invited to stream prior to the event. “but where sinofuturism intersects with gambling is in an intense belief in the future. this future is an imprint of a society based on the field, in the factory, a future propelled by dreams of prosperity and the transcendence of work. it is no accident that much artificial intelligence research focuses on making programs play games.
The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism …
2021-4-5 · TodayHeadline The futuristic visions of multimedia artist Lawrence Lek –
These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously
The futuristic visions of multimedia artist Lawrence Lek The film-maker on melding video games, music and political theory — and exploring our anxieties about a changing world Share on Twitter
2021-3-11 · 60 min. At the exhibition from March 21, 2018 to May 27, 2018. »Sinofuturism« is an invisible movement.
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It is a movement, not based on individuals, but on multiple overlapping flows.
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A still from Geomancer, 2017 by Lawrence Lek. Screening links to Sinofuturism (1839-2046 AD), Geomancer, and AIDOL are live from today, 19th October 2020 through 26th October 2020. They are available to registered guests here. Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation. In his first exhibition at Sadie Coles HQ, Lawrence Lek presents AIDOL, a new feature-length film.
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Lawrence Lek - Conversation #7 - Anthology #3 - February 18
A blend of documentary, social realism, and conspiracy, the film puts forth a theory of ontology modeled on several stereotypes about China, which Lek calls Sinofuturism, defined in the video essay as “a form of artificial intelligence, a massively distributed neural network focused on copying rather than originality, addicted to learning of massive amounts of raw data rather than philosophical critique or morality, with a posthuman capacity for work, and an unprecedented sense of From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development. These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek’s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Bio Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices—CGI, audio-visual performance, gaming, and fiction—into a continuously expanding cinematic universe. TodayHeadline The futuristic visions of multimedia artist Lawrence Lek A still from Geomancer, 2017 by Lawrence Lek. Screening links to Sinofuturism (1839-2046 AD), Geomancer, and AIDOL are live from today, 19th October 2020 through 26th October 2020.